Aemphasized form typifies the work of Harri Ansorge not only in the "statunascendi":
Finallyreleased from the knowledge of the artist it still determines their inherentshape laws. At the beginning of a more complex work there often were aperiod of several experimentell preparatory works done, these however,different from a systematically put together convolut gather an area oftension rather than a zone of protection and safe refuge puts this beginningin perspective and allows to safe it.
Thefaith in progress relates more to the procedure than to a determined process.
Ansorgedistrusts the non contestable and proof intentions.From"Harri Ansorge" by Lienhard Vogels
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